2013 is the year I discovered Haruki Murakami.
I read Norwegian Wood cover to cover on a Sunday in March. The words left the pages, seeped into my skin and sunk into my heart. I became obsessed with his writing. I wanted to devour every word he ever wrote and I couldn’t do it fast enough. Immediately after Norwegian Wood, I read Kafka on the Shore, followed by Sputnik Sweetheart, South of the Border West of the Sun, Windup Bird Chronicle and 1Q84. It was only after I finished the mammoth 1Q84 that I was somewhat satiated and ready to take a break.
I've been a voracious reader since the age of 10. In my extremely satisfying journey as an ardent book lover, I have discovered and loved many writers. But none so far have had the overwhelming impact that Murakami’s work has had on me.
In a very difficult phase of my life, I felt like someone had glimpsed the very depths of my soul and given words to my longing, loneliness, existential angst and inexplicable sorrow. Of course, I am not alone in feeling this way about his work; he is popular primarily because millions across the world feel exactly the same way I do. And this once, I don’t mind being one among multitudes.
I've found that reading a Murakami book can feel like lying on cool grass, on a warm full moon night and having a conversation with a soul mate. You know that feeling, when you finally gather the courage to open up about your deepest, darkest fears to a close friend and the infinite joy you experience when you find the other person echoing the same emotions? Through his books, Murakami reaches out to you and soothingly whispers, “I know how you feel; I feel the same way. You are not alone.”
And it’s not just the emotional quotient of his books that appeal to me, the fantastical elements too, blew me away. Almost all his novels except one or two push the boundaries of reality. His books are full of alternate universes, flying fish, talking cats and more. He incorporates these into the regular narrative in such a way that there is no way of knowing what is real and what is not. It is as if, in Murakami’s world anything is possible. Who says cats can’t talk and fish can’t fly? He is like a child who is yet to learn the truths of our world; doodling flying cars and dancing animals completely ignorant that his imagination is out of sync with the boundaries of reality. He doesn’t think out of the box; he refuses to acknowledge the existence of the box. As a reader, to step into his world and experience such freewheeling imagination is exhilarating.
I was lost in Murakami’s world for months, much to the chagrin of my loved ones. One day, when my brother found me completely engrossed in one of his books, yet again, he said, “What will you do if this man stops writing?” I felt his words like a punch in my gut. I shot back at him, “He will never stop writing”. In my head I think of him as a magical weaver, sitting at his spindle and loom, endlessly weaving words, forever more. Remember, in Murakami’s world anything is possible :)
